Falling into Place: An Intimate Geography of Home
by Catherine Reid
Review by July Westhale
23 March 2014
Borges says, in his literary theory, that there are more or less six themes that authors write about, six stories they tell, though the narratives may vary. All have to do with the human condition: how we love, how we live, how we make a life for ourselves, how we interact with the physical/metaphysical/spiritual, our literal and figurative place in the world. Following this metric, Catherine Reid’s newest collection of nature-centric essays, Falling into Place: An Intimate Geography of Home, is the perfect example of how the personal becomes global through familiar tropes. Utilizing her relationship to her home in the Berkshires as well as the deeply-crafted life with her partner, Reid juxtaposes her identity as a native New Englander with her otherness as a lesbian woman to create lyric tension that sustains the ambivalence of the narrative.
Such careful, intimate consideration of place is difficult to do in our day of technology. It is more common to see visitors experiencing the world through the lens of their iPhones or digital cameras than navigating nature through their known memory, as vessels (the body) contained in larger vessels (the natural universe). Reid manages to skillfully connect with the art of physically and primally knowing a landscape, as an animal might. Everything from her deep connection with the water (and thus, the scarcity) of her home to the catastrophes that have occurred over time (as in the story of the oil spill that would have wiped out an entire ecosystem within one river had it not been for the skillful navigation of a select beaver population), demonstrates the careful and intentional consideration of place as a character in the larger narrative of Reid’s life.
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