If Nora Roberts, Agatha Christie, and Salman Rushdie wrote as a ménage à trois, Killing at the Swan Inn could be the story they birthed. Ms. Hall has written a tale that combines a cozy murder-mystery, with contemporary romance, and cultural differences, which converge in the Berkshires at Margot’s newly acquired inn (The White Swan).
The characters who inhabit the inn, and who visit, are introduced in quick succession, with readers understanding, and cheerleading, for each to find release from an abusive relationship (Veronica Hewitt), forgiveness and redemption (Charles Allan Whittaker), safety from a vengeful family (Soraya and Omar Sulaman-Mamoud), and love (Isobel, Manager John, Charles, and Detective Adrian Reynolds).
Those who work at the inn, and mourn the loss of long-time owner, Isobel’s mother Claire, run the inn like a family, and try to make the well-known, and famous men and women that visit, a sense of it being their home as well. This sense of caring for one another is evident and visceral throughout, and one of the strongest characteristics of the story. Humanity at its best.
Killing at the White Swan is an enjoyable, and brief visit, with people you’d want to meet in person, let alone spend a weekend at the inn.