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Archive for the ‘screenwriting’ Category

You Can Do Better

15085511-571384093053277-7761181997008017758-nSo, this was interesting. After a few years writing the screenplay for my story “Sorrow’s Embrace“, it was finally optioned by Breezeway Productions, and is now in development with Breezeway and Buffalo 8 Productions. I thought this was the beginning of the end for this screenwriting journey and it would soon be in distribution. Thankfully, my head got pulled out of the clouds before I floated away.

Just as directors, actors, actresses, producers, and others are lining up to get involved, the casting director, Nicole, tells me the script needs some work, and isn’t good enough to send out to “named talent”. At first, I thought, “Okay. Let me know what needs to be fixed and I’ll get it back to you in a day or two.” What needed “fixing” turned out to be much more extensive and time-consuming.

After grumbling to myself about all the work it would take, I started the rewrite using her suggestions, comments, and insight. Two weeks later, I am proud to say that this is now a story that will not only attract “name talent”, but be well worth watching, when it is released. Though I was reluctant at first, and skeptical, I am happy to admit that she was right on all accounts.

Now, it is on to rewrite my other screenplays (Buddha’s Wife, and The Last Conception), which are based on my books of the same names. I thought they were good already, now I can see how to make them much much better.

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Pleasure or Pain?

LastConception-CoverDoes writing give you pleasure, or is it a pain? Are you struggling through every line, wishing it would end, or enjoying the process word by word? Do you write out of necessity, or as a hobby, or pleasant pastime? Writers’ have argued through the centuries about whether writing should be, or is, a process of hard labor, or whether it is a joyous exercise in reflecting oneself and the world in which we live.

Some writers’ say they cannot live without writing something every day. Others tells us they write in spurts, when moved to do so, or have long periods of inactivity and/or creative ideas. And a few cannot stop writing once they get started and write manically, without pause or respite.

I’ve been told that writing involves a high degree of masochistic tendencies if you are not writing solely for pleasure, but to have what you’ve written read and accepted by others. There is a lot of truth in this, as so few writers ever receive any recognition, let alone financial rewards, for there many hours of plotting, research, editing, characterization, and marketing.

From my experience, writing can be both pleasurable and painful, whether it is for personal or public consumption. Scribbling, or typing, refried storylines again and again, is easy, but artistically boring. Writing something that has never been put together in quite the same way, can take hours of painstaking thought, and pleasurable results. Then again, the results may be painful to see, and not as joyous as the process.

So, this may sound weird, but unless it is a wee bit difficult, or challenging, I do not enjoy writing. That doesn’t mean I prefer an extremely intimidating project, but one that calls me out to do my best, improve my skills, and look at an issue, or story, with fresh eyes. Writing something I’ve written a thousand times before, though perhaps monetarily rewarding, is more painful than a new challenge.

What’s your hit? What’s it like for you? Do you cringe at the thought of a deadline, having to think of an idea, or putting an idea on paper? Or, do you get excited each time the words in your head come out on the screen as you envisioned? Pleasure and pain are somewhat subjective, but are also very real. I guess the real question is whether pleasure or pain is the driving force behind your writing, or any aspect of why you write at all.

Zen Master Tova Tarantino Toshiba, The Last Conception, and Loving Annalise, are some of Gabriel’s most recent works of fiction. They were pleasurably painful to write.

Moments Turns Into Years

My “brief” journey from story to screen.

Write down, or have a story idea, or concept, in mind.

Write the story. Rewrite and edit the book at least 10 million times.

Find a publisher who will publish the book, now known as The Last Conception.

Sign contract with Melange Books.

Obtain quotes and advance reviews.

Book published.

Book signings, promotions, connections and marketing for two years (year before and a year after novel is released).

Decide to write screenplay. One of my previous screenplays, Stellina Blue, was made into a film and another, Down On Earth, is optioned by Sybil Danning at Adventuress Films.

Work on screenplay for The Last Conception, continuing to revise and edit.

Workable, moving and entertaining screenplay completed.

Write up logline, summary of film and synopsis.

Research and obtain contact information for those who might be interested in script.

Start approaching executive producers, directors and production companies.

Elapsed time, from books inception to pitching screenplay (so far) is three years.

Presently, an award-winning and innovative director is attached.

Next step will be finding a producer and/or financing for film, and then festivals and/or distribution.

This timeline will be familiar to thousands of novelists, screenwriters and filmmakers. Some take less time, and some take more (from page to screen).

I hope for those just starting out, or venturing to put your toe in the water, this provides a little insight into the amount of patience, persistence and ordered chaos that can await on the journey to bring your story to the screen.

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