Here, There and Everywhere

Posts tagged ‘2013’

Writing for Our Lives at Esalen

Writing for Our Lives at Esalen
with Ellen Bass
November 15 – 17, 2013
Esalen, Big Sur, CA

jpeg

Esalen. The wonder of the place itself, 120 acres of fertile land carved out between mountain and ocean, blessed by a cascading canyon stream and hot mineral springs gushing out of a seaside cliff. There is the salty Big Sur air on an early morning in January, the late afternoon sun slipping into the Pacific, the riot of midnight stars. There are nights so clear the Milky Way can light your walk along the darkened garden path. And always there is the sound of the sea.

“There is a vitality, a life-force, an energy, a quickening that is translated through you into action. And because there is only one of you in all time, this expression is unique. And if you block it, it will never exist through any other medium, and be lost. The world will not have it. It is not your business to determine how good it is, nor how valuable, nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open.”
—Martha Graham

This workshop will help keep the channels open. It will be an inspiring environment in which to write, share our work, and receive supportive feedback. We’ll help each other to become clearer, go deeper, express our feelings and ideas more powerfully.

We will evade, elude, and distract the censors that silence or limit us. We’ll approach our experience from new angles to find the story or poem within the events of our lives. We’ll question the stories we think are true and experience the power of not-knowing and discovery.

If you want to encounter more truth in your poems and stories, if you want to tell that truth in the most beautiful way possible, if you want to craft work that reflects the inextricable marriage of truth and beauty, love and death, the luminous and the ordinary, please join us for this inspiring workshop.

Ellen will talk about the craft of writing (poetry, fiction and creative non-fiction) and we’ll have time to write and share our work.

From beginners to experienced, all writers are welcome. Whether you are interested in poetry, fiction, nonfiction, or journal writing, this workshop will provide an opportunity to explore and expand your writing world.

Esalen fees cover tuition, food and lodging and vary according to accommodations—ranging from $405 (for sleeping bag space) to $730 (and more for single or premium rooms). All arrangements and registration must be made directly with Esalen.

Please register directly with Esalen at 831-667-3005 or at http://www.esalen.org

jpeg-1ELLEN BASS has a new poetry book Like A Beggar, forthcoming from Copper Canyon in 2014. Her previous books are The Human Line, which was named a Notable Book by the San Francisco Chronicle, and Mules of Love, which won the Lambda Literary Award. She co-edited (with Florence Howe) the groundbreaking No More Masks! An Anthology of Poems by Women. Her work has been published in The New Yorker, The Atlantic, The American Poetry Review, The New Republic, The Progressive, The Kenyon Review, Ploughshares, The Sun and many other journals. Among her awards for poetry are a Pushcart Prize, the Elliston Book Award, The Pablo Neruda Prize from Nimrod/Hardman, the Larry Levis Prize from Missouri Review, and the New Letters Prize. She is part of the core faculty of the MFA writing program at Pacific University. ellenbass.com

Superb Story and Scribe

0670026638.01._PC_SCLZZZZZZZ_A Tale for the Time Being
by Ruth Ozeki
Reviewed by Gabriel Constans
New York Journal of Books

“Ruth Ozeki’s A Tale for the Time Being is one of the best novels of 2013—and will surely inhabit that position for years to come.”

However you envision or conceptualize life, you will never see it quite the same once you’ve read this brilliant story. “Brilliant” is a strong and suggestive superlative, but it fits this story like the insistent tolling of a bell calling for one’s attention.

Down to earth and intellectual. Filled with judgments and acceptance, separateness and interdependence. Complicated, yet simple. Ms. Ozeki’s characters question their thoughts, feelings, and actions—even how they respond to suffering. They ask whether their choices and lives make a difference, what is the meaning of conscience, and how to explain the nature of existence—and they do so in the pages of a beautiful tale of families struggling to survive, understand, and share their love.

Ruth, a novelist who lives on an island in British Columbia with her husband Oliver, happens upon a diary she finds in a sealed lunchbox she discovers among some kelp that’s washed to shore. The diary is that of a sixteen year old in Tokyo, Japan, named Nao.

As Ruth begins to read the diary—which describes Nao’s family, her thoughts of suicide, and her close connection with her 104-year-old great grandmother Jiko (who is a Buddhist nun living in the area of the 2011 earthquake and tsunami)—we are pulled into Ruth’s thoughts and feelings about what she is reading as well as its impact on her, her husband, and others living on the island.

Every person, animal, life form, building, city, town, and forest in this story feels real and congruent. You can almost reach into the book and pet the cat, yell at the bullies, shake Nao’s father, hear the wind, see the crow take flight, and feel the ancient, chilly, wooden temple floor beneath your knees as you bow.

There are so many exquisite lines of prose within A Tale for the Time Being, that it is difficult to choose a few that will give readers’ a taste of this sweet, caustic, entertaining, and captivating novel. Nonetheless, here are a few morsels.

When Ruth first reads the diary, she describes the letters. “They were round a little bit sloppy (as she now imagined the girl must be, too), but they stood more or less upright and marched gamely across the page at a good clip, not in a hurry, but not dawdling, either.”

Nao writes of a moment when she is holding Jiko’s hand. “I was still thinking about what she said about waves, and it made me sad because I knew that her little wave was not going to last much longer and soon she would join the sea again, and even though I know you can’t hold on to water, still I gripped her fingers a little more tightly to keep her from leaking away.”

Ruth speaks of time and how it interacts with attention. “At the other extreme, when her attention was disengaged and fractured, she experienced time at its most granular, wherein moments hung around like pixels, diffused and suspended in standing water.”

It sounds like Haiku poetry when Jiko is telling Nao about her son (Nao’s great uncle) who died in World War II. “A single frog croaked, and then another. Jiko’s words dropped like stones into the silence in between.” Jiko explains to Nao (who had told Jiko about it feeling like there were fish flopping around in her stomach when she felt grief or was being bullied) that the loss of her son was like a whale in her gut and she was learning to open her heart so the whale could swim away.

A Tale for the Time Being is more than a lovely piece of literature; it also explores science, philosophy, nature, history, psychology, biology, physics, Japanese culture, and the nature of consciousness. There is also a healthy dose of Buddhism and meditation thrown in with subtle precision integrated into the characters and storyline without dissemblance or force.

Read complete review and others, at New York Journal of Books.

Classes With Deena Metzger

Wednesday Night Writing Class, Creative Writing Mentoring and Manuscript Consultations with award-winning writer Deena Metzger.

Writing classes, creative writing mentoring and manuscript consultations are among the many ways to work with Deena Metzger in 2013, either in person or by telephone or via Skype.

deena_home2

Winner of a 2012 PEN-Oakland Josephine Miles National Literary Award for her latest novel, La Negra y Blanca, Deena says, “Everyone has a story and it calls to be known and written. It is at the very center of our lives. It is our heart story and it can guide us. It arises from the imagination, a real place, like a council that holds all the voices, including our ancestors and descendants.”

Wednesday Night Experienced Writer Group
First Wednesday night aft the new moon. 7 to 10:30 pm.

Possibly a few openings for seasoned writers, contemplating or working on a project, who are devoted to the word and are interested in further exploring and developing their creative lives and voice for the sake of soul, intelligence and literature. Commitment to the ethics of heart, truthfulness and the myriad forms of beauty.

On-going. January through June. September (or October) through December. Fee.

Application required. Inquire via Danelia Wild for details.
Email: dwild4deena(at)ca(dot)rr(dot)com.

Creative Writing Mentoring and Manuscript Consultations
By Appointment

Please inquire for scheduling and fees.

Deena Metzger’s website

For information or to apply

Additional information, please contact Deena Metzger’s assistant, Danelia Wild at 310-815-1060.

Tag Cloud