The Story That Had No Beginning by Daniel Kemp.
Reviewed by Gabriel Constans.
Tom Collins, and his sister Alice (Alicia), are twins who were separated into foster homes when they were 8 years of age. As adults, they’ve taken different paths. Tom becomes a thug, in and out of prison, and Alicia is a famous photographer, care of the graces of her mentor and mother figure (Mary O’Donnell). The Story That Had No Beginning, takes a close look at these siblings as adults, and explores their lives together with friends, co-workers, and acquaintances, and the inter-connections that take place. What appears to be straight-forward, and obvious, may or may not be so.
Mr. Kemp has written a superb crime story, with the actions, thoughts, feelings, and consequences of the main characters being told by way of deceased Tom Collins, who can see into the past. Tom says, “All I can do is recount the story as it is shown to me without any interpretation, but bear this in mind as you continue to read. As I have been granted this ability to see the mistakes made in lives other than my own, are similar people such as I reading your thoughts and your hidden secrets as you indulge yourself with me? If so, then the skeletons in your past are being interrogated as I hold your attention.”
That is the rub, really. What is the truth? Who’s truth is it? Is what we think we know, what actually is? These questions are discussed in the beginning dinner party (that is not really the beginning), which includes Alicia, Giles Milton (Queen’s counsel – lawyer), Susan Rawlinson (national newspaper editor and novelist), and Rupert Barrett (owner of Bear Cave nightclubs). Tom returns to observe this dinner-party in the non-conclusion conclusion of the story, and learns about secrets, collusion, alternative facts, and circumstances that were not apparent at the time they occurred.
The Story That Had No Beginning is an intriguing, thoughtful, and intricate observation of how to write a good murder mystery. It is unique, complicated, and takes readers’ around the block for an insider’s eye view of cut-throat business, politics, sex, media, and the law. Everyone is suspect, and none are innocent. Like the best of a good soap opera, almost anything can, and does, happen to Tom and Alicia. There is order and insight behind the writing and the characters. I would think that this story would be easily adaptable as a four-part series for Masterpiece Mystery on BBC or PBS.