Here, There and Everywhere

Posts tagged ‘kill’

Kill Them & Save Them

Permanent Change of Station: Vietnam by Christopher Rector.
Reviewed by Gabriel Constans.

51PIZO485lLPermanent Change of Station: Vietnam is a well-informed blend of fiction, autobiography, and memoir. It gets under your skin, takes you back to the war, and brings to mind a number of scenes from films and other books about America’s political deception and the soldiers and families who paid the price for it. Some of the characters, such as General Abrams, are historical, and the rest appear to be fictional, though act and sound as if they are the real thing. The author is a retired army veteran and his knowledge and experience bleed throughout the pages. There is little preamble, as we follow a new arrival meeting his superiors at the 240th Intelligence Detachment based at the U.S installation of Long Binh.

Everyone in this story has their story, and personal view of how they got to Vietnam, what they believe, and/or what they are fighting for. Lieutenant Colonel Robert “Bull” Basham sees everything as fleeting, and lives for the momentary pleasure and profit. “Bull knew there was no permanence to any of this – the hotel, Lien (his mistress), or the war.” The primary protagonist, Adam Nussbaum, is an idealist from Manhattan, who works as an interrogator, and ends up in the field with First Lieutenant Mike Dempsey, and “Big” Ben Tenata SFC (Sergeant First Class). They end up developing a bond that only those who have fought and died together understand.

From beginning to end, readers can feel Mike’s perspectives, and feelings, evolve. His understanding, and respect, for his comrades (Peter Savory, Katie, Mike, and Major Tanaka) deepens, as his disgust and distrust of others grows. The men and women who are thrown in together in this mess of a war all have lengthy discussions about it – the Viet Cong (NVA), the South Vietnamese Army (AVRN), and the politics and demonstrations taking place in The States. The dialogue is congruent with each individual, and gives readers’ a lot of background about what was taking place at that time (in Vietnam and The States).

Aspects of this story remind me of the biography I wrote about a young Jewish doctor from Brooklyn, stationed at Udorn Air Force Base in Thailand during the war (Dr. Leff – Stepping Into The Fire), who begins to hear stories from CIA pilots about bombing villages in Cambodia and Laos. His patriotism is challenged when he fights to make this knowledge public. Permanent Change of Station: Vietnam is better written than my biography about Dr. Leff, and describes the futility and loss experienced by so many. Nurse Katie captures the essence of the war when she responds to something Adam says. “And you remember Adam we’re here in Vietnam because we’re trying to kill them, and save them from something I can’t even remember what.”

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Elephants, Ivory & NBC

Elephants, Ivory & NBC

As if big game hunting wasn’t disgusting enough on its own, it’s horror is compounded when a national sports channel broadcasts the entire thing, and when the animal being hunted is under constant threat from cruel and relentless poachers. Tell NBC Sports that you won’t stand for “Under Wild Skies” continuing to be on the air.

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In a recent episode of this show, the host and his guide stalk and shoot a bull elephant, who trumpets and writhes in pain, even charging after the two men. The host then shoots it again between the eyes. After the elephant falls, the two men stand next to the dead elephant to gloat about their “achievement.” Upon returning to their camp, they discuss how “special” it is to bring back an elephant’s ivory.

This show demonstrates an absolutely horrific lack of respect for wild animals in their own habitat, a lack of any kind of empathy for the suffering of these animals, and a complete ignorance of the problems facing these animals every day.

Please join the thousands of people who are voicing their outrage at this episode and this show. Tell NBC Sports to remove the show from their programming immediately!

Thank you for taking action,

Emily L.
Care2 and ThePetitionSite Team

Beagle Puppy In Danger

Orange County Florida: Save Rufus!
by Julie W.
Change.org

Rufus is a friendly, one-year-old Beagle pup who has been sentenced to death by Orange County FL Animal Services because of an accident that occurred in the pup’s home. His owners don’t want him destroyed and we need your help because he could be put down any day now!

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Rufus’ family is doing everything in their power to stop him from being put down after he bit their four year old child. I’m a friend of Rufus’ family and I know that Rufus is not at all an aggressive dog – he was just excited about his new food (he had never had wet dog food before) and their son startled the puppy from behind while Rufus’s food was being prepared. But the county says that because the boy needed a few stitches, they have to kill Rufus and took the puppy from the family.

The child is not traumatized, the family loves the dog and wants him to live!

https://www.facebook.com/TeamRufus?fref=ts

SIGN JULIE’S PETITION

Our Son’s Take On Guns

Our son wrote this for an English Class at college and turned it in yesterday morning. He titled it Locking Up the Guns. Coincidentally, two police officers were shot and killed (as was the assailant) later that day during a domestic violence situation, just blocks from where we live in Santa Cruz. It is the first time a police officer has been killed in the line of duty in this cities history.

Shona Blumeneau
English 2
2/27/13

Locking Up the Guns

BANG! A large crack pierced through the morning fog. Chaos erupted in the swamp, as I pulled the trigger on the Ruger semi-automatic .22 long rifle. A flock of birds flew through the sky but one remained, the one I had mercilessly gunned down just moments before. My cousin and I ran over to the bird and examined the stagnant creature. I stood there, thinking about how easy it had just been to kill something, while my cousin congratulated me on my first shot. He was the gun enthusiast, not me. This was my first time hunting, and after this experience, probably the last. Guns do more damage than they do good.

I have never lived in a dangerous neighborhood, but even if I did I would not resort to buying a gun for protection. Yes, they can defend you from attackers, burglars, etc., but I am not ready to kill someone with the blink of an eye, and I don’t think many other people are either. Possessing a gun causes much more problems than it does solutions.

If we were to take away guns people would still find ways to kill each other, but the number of deaths would decrease significantly. In 2008 there were roughly 16,272 murders committed in the United States. Sixty-seven percent of those were committed with a firearm. A 1993 nationwide survey of 4,977 households found that over the previous five years, 0.5% of households had members who had used a gun for defense during a situation in which they thought someone “almost certainly would have been killed” if they “had not used a gun for protection.” Zero point 5 is a pretty insignificant number stacked against the amount of people who die from a firearm each year.

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Having a gun does not protect you. Having a gun gives an intruder a reason to shoot you, because they’re worried that you’re going to shoot them. If you’re unarmed, why would someone want to hurt you? Criminals may be stupid, but they’re usually not completely insane. They may take your computer, or whatever criminals take these days, and then go away. If it’s just a plain burglary, the police will file a report and forget about it, and the criminal gets away. If they shoot someone, there’s a murder investigation and the criminal goes to prison. The way gun advocates characterize society as a violent conflict between criminals and innocent people simply does not reflect reality. Theoretically, someone might break into your house just to attack you or your family, but the odds of that happening are less than being struck by lightning.

Only two countries in the world consider owning a gun a basic human right, the United States and Yemen, and even Yemen is starting to have second thoughts. From the UN’s Small Arms Survey: “Only two—the United States and Yemen—is ownership of firearms a citizen’s basic right. Figures published in the Small Arms Survey 2007 show that the USA and Yemen also have the highest rates of firearms per civilian, with an estimated 90 guns per 100 people in the US, and 55 in Yemen.” Why does America have this crazy obsession with guns? No, I’m not blaming video games or rap music. Let’s take a look at the second amendment.

Many US citizens still believe strongly in the amendment that states, “A well regulated militia being necessary to the security of a free state, the right of the people to keep and bear arms shall not be infringed.” First of all, what states need protecting at the moment? The third amendment, that said the military could stay in private homes was thrown out, as it did not pertain to what was going on anymore. So why not the second amendment? There’s no intruders in the states that citizens are going to go hunt down, and the government has not become tyrannical (part of the reason for the second amendment, if the government ever became a dictatorship the people could rebel). The only people this right should belong to are those of the militia, as stated in the amendment. Just like the right to free speech, the government can limit people’s right to bear arms.

Only the most extreme pro-gun advocate would argue that a paroled violent offender with a standing restraining order to keep away from his ex-wife has the right to carry a fully-automatic machine gun. But similarly, only the most extreme anti-gun advocates believe that people should not be allowed to carry single-shot rifles when hunting deer on their own land.

If someone claims that the 2nd amendment gives them the right to carry a concealed weapon, they are full of it. You should ask them to point to the language in the 2nd amendment that specifically allows for concealed carry but prohibits violent felons owning machine guns. We have to keep in mind that people who wrote the second amendment owned slaves and oppressed women. Times were much different when the constitution was written, and things have changed since then. We no longer have slaves. Women have equal rights. There’s no longer a need to carry a weapon.

There is especially no need to carry a thirty-clip weapon. Incidents like Columbine or Sandy Hook could have been much less catastrophic if the men had to take time to stop to reload. This is what happened with the Gabby Gifford’s shooting. The assailant, Jared Lee Loughner, shot down nine people, injuring eighteen total, and was only stopped when he had to take a moment to reload his weapon and was tackled to the ground by a bystander, who was injured in doing so. This attack could have been much, much worse if he had had a larger clip. I cannot see a reason why someone would need a clip larger than ten for hunting or protection. Lowering the amount of rounds a gun can hold could easily lower the amount of deaths in the US.

Let me paint you a picture: Chris, a five year old boy living in a small suburban neighborhood, gets off the school bus after a fun day in class. He goes into his house where his mom stands. She asks how his day was, he says “fine”, she asks what he did, he says “nothing” and he goes to his room to play. After a while he gets bored and decides to explore his house a little. He goes into his parents’ bedroom, a place he’s been a hundred times early in the morning to snuggle up with his mom and dad, and starts looking around. Eventually he finds his way to the closet, and inside he finds a box. He opens the box, curious, and finds a handgun. He’s never seen one before and wonders what it does, so he fiddles around with it. All of the sudden, BAM, the gun goes off. Chris’ mother runs to the room only to see a pool of blood coming from the closet, and comes to the horrible realization that her only child is dead.

This may seem drastic, but it happens more often then you’d think. In the New England Journal of Medicine a study was put out that found 18 children die from gun related incidents every day. This makes guns the second leading cause of death in young people – twice the number of deaths from cancer. I find that to be a staggering number coming from a well developed first world country. I read an article the other day about a doctor, who were haunted by the death of one of her patients, a twelve year old boy who went on an errand for his mother and was caught in the cross-fire of a gun battle. The boy had shortly before written a letter to his mother expressing his desire to become a doctor.

Goddess of Cancer – Scene 6

Excerpt from Goddess of Cancer and Other Plays by Gabriel Constans.

Goddess of Cancer – Scene 6

Plays Conclusion

Characters

GODDESS: Multi-cultural woman of no particular age. Face painted a variety of flesh tones. Hair a mixture of blond, brown, red, black and gray. Long rainbow-colored robe. Changes persona frequently.

VICKI: Asian-American woman in her twenties. Casual dress. Animated. Angry. Anxious. Scared.

WENDY: European-American woman in her thirties. Conservative dress. Quiet. Shy. Fearful.

JENNIFER: African-American woman in her forties. Business suit (beeper). Intellectual. In control. Avoids emotion.

LENNIE: Mexican-American woman in her fifties. Flowing skirt, flowery blouse. Insightful. Compassionate.

BARBARA: Arab-American woman in her sixties. Gray skirt and sweater (wearing a cross). Strong. Survivor. Dogmatic. Angry. Tired.

CHANTALL: Jewish-American woman in her seventies. Slacks and blouse (gray wig, in wheelchair). Humerous. Matter of fact. Sarcastic. Worried.

Setting

Living room. White couch center stage facing audience. White chair next to couch, stage left and black coffee table in front of couch. Large green plant on floor between couch and chair. Flowers in a vase on table. White door stage left. Three large pictures with red frames on wall behind couch. One picture is of the Grim Reaper, one is of an angel and the other an hourglass. Black bar facing audience stage right, with potted plant on its corner. A light switch is on the wall by the bar. Closed cupboard behind bar is full of cigarettes.

A slide-projector (with a color slide of each actor’s face shown at beginning of each scene) is placed on one end of the bar for the Goddess to operate or in front of the stage and controlled by a stage member.

Time: Afternoon or early evening. Present.

ACT I

SCENE 6 – FINAL SCENE

(Chantall’s picture appears on screen/wall.)

GODDESS: Chantall. Seventy-six. Retired professor.

(There is the sound of the door opening and closing.)

GODDESS: (Continued) Husband died twenty years ago. Children and grandchildren. Present partner, Audrey.

CHANTALL: Partner and best friend.

GODDESS: Who’s there?

(Silence)

GODDESS: (Continues) Metastatic bone cancer. Chemotherapy unsuccessful. I’m spreading to her major organs. Death is lurking nearby.

CHANTALL: It’s always lurking, what’s new?

GODDESS: (turns on lights and sees Chantall in a wheelchair in front of the couch.) Chantall! You sneak you. You weren’t supposed to know yet.

CHANTALL: What part? That my body is failing or who my friends are?

GODDESS: (Grins and goes to couch to sit by Chantall.) You know which part. Don’t play games with me professor.

CHANTALL: No need. You play enough already.

GODDESS: How did you get in here?

CHANTALL: Same as you, through the front door. Your hearing must be slipping. You look tired. Maybe you should lay down and rest.

GODDESS: That’s my line! Don’t confuse me.

CHANTALL: You’ve been confused for years. You never did know how to divide properly without rearranging everyone’s DNA.

GODDESS: I’m a slow learner.

CHANTALL: You can say that again.

GODDESS: I’m a slow . . .

CHANTALL: (Overlapping) Don’t you dare!

(Both of them laugh. Goddess goes over to bar.)

GODDESS: Like some tea?

CHANTALL: Tea?! You call that a drink? Give me a margarita or a whiskey, straight.

GODDESS: Coming up.

(Goddess pours drink, brings it back to Chantall and sits. Chantall takes drink and downs it.)

CHANTALL: That’s better.

GODDESS: You didn’t just stop by for a drink. What’s up?

CHANTALL: What’s up? Can’t a girl just make a friendly visit to see her killer face to face?

GODDESS: (Suspiciously) What do you want?

CHANTALL: There’s something I have to ask you. It’s very serious.

(Goddess leans closer.)

GODDESS: Yes?

CHANTALL: Does this gray wig make me look too old?

(Chantall pulls off wig, reaches into her bag on side of wheelchair and pulls out a long, dark-haired wig.)

CHANTALL: (Grinning ear to ear.) How about this . . . the Cher look?

(She puts that one back and takes out a short brown wig.)

CHANTALL: (Continued) This is Audrey’s favorite. She says I look like K. D. Lang with wrinkles. Sort of sexy, isn’t it?

GODDESS: Which one do you like best?

CHANTALL: (She pulls off last wig and remains bald.)
This one. My Sinead O’Conner look. No fuss. No bother. Don’t even have to shave, since my hair fell out. (Pause) Think of all the time I wasted in my life washing, drying, brushing and styling; worrying about how I looked and what others thought. Good grief . . . what a waste of energy.
(Pause.) Say, we could market this and make a fortune. ‘New. ChemoDo! Hair treatment for men and women. Take intravenously or by capsule and in just two weeks you too can look like this!’

(She shows off her head proudly.)

CHANTALL: (Continued) ‘No fuss. No bother. Twenty-one day guarantee or your money back. Only nineteen ninety-five, plus eighteen dollars for shipping and handling! Call now and receive free anti-nausea pills at no extra charge. That’s ChemoDo. 1(800) FYU-CHEM. Operators are lying nearby.’

(Both of them laugh loudly until Chantall starts coughing.)

CHANTALL: (Continued) By the way. You don’t have a cigarette lying around do you?

GODDESS: Do I have a cigarette?! That’s like asking John Wayne if he has a horse.

(Goddess gets up and looks around.)

GODDESS: (Continued) I should have one around here somewhere.

(Goddess goes to cupboard, opens it and hundreds of
cigarettes fall out. She picks one up, gets a lighter, goes back to Chantall and lights it for her. Chantall takes a long drag and slowly exhales.)

CHANTALL: Thanks. You better sit back a little. You don’t want to catch any second-hand smoke.

GODDESS: Of course not. It can kill you, you know.

CHANTALL: Really. Oh my. Give me some more!

(They both crack up, then Chantall suddenly stops.)

CHANTALL: (Continued) Seriously. There’s something I have to tell you.

GODDESS: Really? What?

CHANTALL: You’ve gotten a rotten reputation.

GODDESS: (Feigned surprise.) Why, I never!

CHANTALL: Folks blame you for everything. They act like you’re the plague.

GODDESS: The nerve. Well, as Gilda Radner used to say, ‘It’s always something, isn’t it?’

(They both laugh. Chantall takes another drag and looks down at the floor.)

CHANTALL: (Matter of factly.) I’m not afraid of dying you know. I’m even looking forward to it a little. The only thing that’s holding me back is Audrey. She’s the sensitive type. You know, weeps like a faucet. (Pause) She tries not to cry in front of me. She knows I can’t stand such dribble, but I see it in her eyes. (Pause) What can I do to help her understand?

GODDESS: She is understanding, in her own way. (Pause) Let her be. You do it your way, let her do it hers.

(Goddess puts her hand on Chantall’s leg.)

GODDESS: (Continued) It’s OK to grieve, you know. I hear it’s even a healthy thing to do now and then.

CHANTALL: Perhaps, but it seems so asinine.

GODDESS: To you.

CHANTALL: Why can’t she just enjoy the moment . . . roll with the punches? We’re dying the day we’re born anyway.

GODDESS: Some laugh, some cry.

(Chantall abruptly changes subject.)

CHANTALL: Hey, did you hear the joke about the old guy who believed in reincarnation?

GODDESS: No, but you’re going to tell me, right?

CHANTALL: This guy believed so strongly in reincarnation that he had them hang a sign on his tombstone that said, ‘Back in five minutes.’

(They both laugh. A car horn honks off stage.)

CHANTALL: Gotta go Goddess. Audrey’s giving me a ride home.

(Chantall heads towards the door, then stops and turns her chair towards The Goddess.)

CHANTALL: (Continued) You’re a riot. You know that?

GODDESS: Not so bad yourself, for a vibrant, bald-headed, elderly professor. Now, don’t go being foolish with your time, OK?

CHANTALL: Time? Don’t be silly. There is no such thing.

(Goddess opens the door as Chantall exits waving
goodbye. Goddess closes door, turns back towards front of living room.

GODDESS: (Out loud to herself.) Leave ‘em laughing Honey. Leave ‘em laughing.

(Goddess goes to turn off lights.)

GODDESS: (Continued) Let’s see. Who is our next lucky winner?

(Blackout)

THE END

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