Here, There and Everywhere

Posts tagged ‘May’

You Can See Her Again

The Heather in May – A Tale of First Love, Second Chances and Time Travel. Written by Phillip D. Curwood. Reviewed by Gabriel Constans.

516fmQeEgPLThe plot, circumstances, and descriptions of alternating between the present (in 2017) and the past (in 1973) in The Heather in May is very well written. A man named Trevalyn Scurr takes Tony (age 63) back in time to possibly save the love of his life (Katie) from dying in a fire at The Rivvis hotel. The story is told in the third person. It is well paced, and presented, by author Phillip Curwood. Some aspects of this tale remind me of the American TV show Forever. The are also  strong parallels to The Hitchhikers Guide to the Galaxy.

As a succor for metaphors and visual interpretations of experience, the following excerpt was especially delightful. “As the spring sunshine began to fade, setting the clouds ablaze with colours of red and amber, the evening crept in, sending a whispering breeze through the yellow gorse, brown bracken, and heather. Tony took his hands from his pockets and pulled the collar ends of his faded blue denim jacket tight around his thin neck, to gain comfort and warmth in such a cold lonely place.“.

Here’s another beautiful passage, “The orange glow from the streetlights shown down on the rain-covered pavement, by the entrance to the hotel. Stepping outside, Katie and Tony bathed in the lambency, and stayed sheltered under the arch, watching the fine watery mist create pillars of light in the air.”

The author is also adept at creating a specific time and place, with music, cars, buildings, current fads, and people’s behavior and attitudes, in 1973 England. The physical characteristics of the characters is also spot on. Tony, Katie, Greg (villain), and Tony and Katie’s parents, are well defined and molded. The ending of this time travel suspense mystery comes full circle, and surprises readers’ with a brilliant setup (or new beginning), as a result of earlier circumstances, twists and turns. Mr. Curwood’s The Heather in May is a good read in May, or any other month of the year.

Writing With Deena Metzger

The 2013 Writing and Story Intensive
A week=long exploration with Deena Metzger
May 25-31 in Topanga, California (near Los Angeles)
Applications Open

Entering The Work

deena-metzger1This intensive is envisioned as a circle, a small group of women and men gathered to devote themselves to their work, that is to the work.

Many beautiful and profound works and explorations have been launched through these intensives in the last 13 years. Many writers have emerged and many have been transformed, their lives deepened and made soulful by this intense, often luminous writing experience augmented by the qualities of medicine walks and quest, by community and solitude.

This Intensive provides an opportunity to begin, as well as to enter more deeply into a manuscript. It calls us to find our own true voices, to break open the forms, to explore hidden realms, to devote ourselves to the stories and manuscripts that are calling to us. It is an opportunity to experiment and dare. This intensive honors the stories that must be told whether one is beginning the exploration or has delved deeply into a manuscript. What is called for is devotion and commitment to bringing the story to the page.

Many participants will be experienced, even published writers, looking for inspiration, direction or support for new or on-going work. For some this Intensive may be a beginning. Often people who have not thought of themselves as writers become aware that there is a book they are called to write. We call such people Story Carriers.
Imagination and the Future

For every writer, the imagination can be a real place. The real life and our future reside there. When we enter this sphere, the writing experience calls self and other(s) into dynamic relationships on the page. This writing can be like a council that holds all the voices, including our ancestors and descendants, the visible and invisibles and the beings of the natural world, as cohorts. It develops from the intrigue that we can each imagine and enter a new literature that looks to and helps create a vibrant and beautiful future.

But each of us is required, given the state of our world and the transformative possibilities of 2012, to consider our assumptions and understanding about who we are as writers, peacemakers, and members of a community of beings. Story carriers, writers, and artists living in these times of grief and possibility are called to imagine and commit to a new literature and a new culture so that the lives of the humans and non-humans and the earth itself will be vital again. Our words can destroy or restore. What we write matters. Together and as individuals we will seek out new forms resonant with the land and these times to engage with the world, the future and the spirits.

We will be actively seeking new language, new forms and new visions. On behalf of our writing and the word, we will engage storytelling, dream telling, ethical reflection, prayer, meditation, silence, music, divination, indigenous and wisdom traditions and the voices of both the visible and invisible presences, on behalf of a vital and sustainable future for all beings.

In this week we will address the issues that must be addressed, explore our lives, souls, minds, and creative work through formal and informal teaching, directed and spontaneous writing, circle work and individual sessions, solitude, time on the land, visioning, ritual and ceremony as appropriate.

For more information email or call Danella Wild at 310-815-1060 for details, fees and how to apply.

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