You know a good writer when you read one. Carole Hall is such a writer. Nairobi Bloodstar pulls you into Kenya in the late forties, as if you were just there yesterday. The characters (Charles, Karl, Annalisa, Nils, M’tebe, Michael) are flesh and blood men and women that could have been historical figures, though this is a work of fiction.
Starting at Karl and Annalisa’s mining operation in Kenya, the story follows each individual, at the points where they are related and intersect, and there individual lives, thoughts and feelings. It is like a great ensemble cast in a play, when they are all believable and well played. Ms. Hall’s writing style also reminds me somewhat of Agatha Christie, who was one of the most adept of all time at describing her character’s appearance, emotions, thoughts, traits and personal history.
The story takes place as a number of countries are seeking independence in Africa from the English, Portuguese and French, and at the same time Jews are fighting to establish Israel in Palestine, and protect their new nation from assault. There are romances and alliances throughout, but in many ways (to its credit), they are the background and not the main entre. Individual and national independence, as well as finding personal happiness, are at the crux of this tale. Choices are made, with many unexpected results.
There are no pat answers, conclusions, or moral certitudes in Nairobi Bloodstar, much to its credit. There are people from a variety of cultures who are genuine and will have you caring about each one.