Here, There and Everywhere

Posts tagged ‘screenplay’

You Can Do Better

15085511-571384093053277-7761181997008017758-nSo, this was interesting. After a few years writing the screenplay for my story “Sorrow’s Embrace“, it was finally optioned by Breezeway Productions, and is now in development with Breezeway and Buffalo 8 Productions. I thought this was the beginning of the end for this screenwriting journey and it would soon be in distribution. Thankfully, my head got pulled out of the clouds before I floated away.

Just as directors, actors, actresses, producers, and others are lining up to get involved, the casting director, Nicole, tells me the script needs some work, and isn’t good enough to send out to “named talent”. At first, I thought, “Okay. Let me know what needs to be fixed and I’ll get it back to you in a day or two.” What needed “fixing” turned out to be much more extensive and time-consuming.

After grumbling to myself about all the work it would take, I started the rewrite using her suggestions, comments, and insight. Two weeks later, I am proud to say that this is now a story that will not only attract “name talent”, but be well worth watching, when it is released. Though I was reluctant at first, and skeptical, I am happy to admit that she was right on all accounts.

Now, it is on to rewrite my other screenplays (Buddha’s Wife, and The Last Conception), which are based on my books of the same names. I thought they were good already, now I can see how to make them much much better.

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Moments Turns Into Years

My “brief” journey from story to screen.

Write down, or have a story idea, or concept, in mind.

Write the story. Rewrite and edit the book at least 10 million times.

Find a publisher who will publish the book, now known as The Last Conception.

Sign contract with Melange Books.

Obtain quotes and advance reviews.

Book published.

Book signings, promotions, connections and marketing for two years (year before and a year after novel is released).

Decide to write screenplay. One of my previous screenplays, Stellina Blue, was made into a film and another, Down On Earth, is optioned by Sybil Danning at Adventuress Films.

Work on screenplay for The Last Conception, continuing to revise and edit.

Workable, moving and entertaining screenplay completed.

Write up logline, summary of film and synopsis.

Research and obtain contact information for those who might be interested in script.

Start approaching executive producers, directors and production companies.

Elapsed time, from books inception to pitching screenplay (so far) is three years.

Presently, an award-winning and innovative director is attached.

Next step will be finding a producer and/or financing for film, and then festivals and/or distribution.

This timeline will be familiar to thousands of novelists, screenwriters and filmmakers. Some take less time, and some take more (from page to screen).

I hope for those just starting out, or venturing to put your toe in the water, this provides a little insight into the amount of patience, persistence and ordered chaos that can await on the journey to bring your story to the screen.

LastConception-Cover

Story To Script To Screen

BuddhasWifeThe story, as seen at this time. So close and yet so far and so far and yet so close.

Write a book based on the life of the woman (Yasodhara) who was married to the man (Siddhartha) who became known as The Buddha. Rewrite and edit the book a zillion times.

Find a publisher who will publish book, now known as Buddha’s Wife.

Sign contract with Robert D. Reed Publishers for book to be published.

Obtain quotes and advance reviews for novel.

Book published.

Book signings, promotions, connections and marketing for over two years (before and after novel is released).

Meet Navyo Ericsen at book signing. A musician, web designer and film and video producer who wants to bring Buddha’s Wife to the screen.

Work with Navyo for a year trying to find a screenwriter to write screenplay on spec, since we have no funds for film. Several possible, but all fall through.

Decide to write screenplay ourselves and change historical setting into a contemporary story. One of my previous screenplays (Stellina Blue) was made into a film.

Work on screenplay for a year, with wonderful feedback and suggestions from a famous screenwriter/director.

Workable, moving and entertaining screenplay completed.

Write up logline, summary of film and treatment.

Start approaching well-known actresses, executive producers, directors and production companies.

Write and develop estimated budget.

Elapsed time, from book being published to presenting screenplay to others for film (so far) is four years.

Presently, five well-known actresses are reading the script, as are four production companies/executive producers and two directors.

The challenge is to get the film financed without a name actress yet attached and vice-a-versa, to get a well-known actress attached without first having the picture funded.

This is a scene that thousands of novelists, screenwriters and filmmakers find themselves in, so we are not babes in the woods, but it has been an interesting situation with infinite possibilities for Buddha’s Wife to come into being as a movie.

To those in the film industry, this story will be anti-climatic and familiar, but I hope for those just starting out or venturing to put your toe in the water, it provides a little preparation and insight into the amount of patience, persistence and ordered chaos that can await many on the journey to bring their story to screen.

From Flicker to Film

First things first and that first was a flicker of an idea given by a friend in Sweden.

Next came the research, to find out everything I could about Siddhartha, Yasodhara and their families. That took about 2 years.

Then the writing began. Another year moseyed on bye.

Editing was the next step, which took approximately 6 months more.

Searching for and contacting a publisher that would look at the manuscript took about 2 years, plus another to find one that accepted the story for publication.

The novel, Buddha’s Wife, is finally published in August of 2009.

Before and upon publication, the continuous process of networking and publicizing the book in magazines, newspapers, journals, online, radio, speaking engagements and at bookstores continues.

The idea of having the book made into a film comes into fruition about the same time it is published and I start to contact producers to see who might be interested. Getting contact information for well known producers/actors takes a few months.

After contacting many about making the book into a film and sending the book to over 20 producers (or their agents) and screenwriters, we (Sacred World Productions and myself) find a few that “might” be interested, but who want to see the screenplay first.

Then, the search for a screenwriter begins in earnest about this time last year. 6 months ago, a brilliant screenwriter accepts the challenge on spec, to adapt the book into a contemporary story that takes place in North America.

As of today, we are expecting to see the first draft of the screenplay and treatment at any time.

Once we have the screenplay, we will be approaching several actors and directors to get them attached to the project.

Once we have some well known folks who have agreed to be in the film, we go back to the producers that previously expressed interest, as well as approach some new ones and try to get financing for the film. Getting financing could be another year or two and once it is in place, it will be another 1-2 years before actual filming, editing and production are complete. Then a distributor will have to be found.

After those few easy steps are all complete. Whoa-la! The film version of the novel Buddha’s Wife will be available for everyone to see. It will then be nominated in various categories for several award shows, including The Academy and become a box office bonanza.

Let’s see… if I add this all up, the total time from original conception to completion is ….. a measly 12 to 13 years!

The journey began in isolation and will end up with multiple collaborations and interdependent creative activities. The human and environmental variables that have, can and will effect the process, are countless.

This is definitely a process for marathoners and not sprinters. And as far as instant “fame” or “success”… well…. what can I say?

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