Here, There and Everywhere

Posts tagged ‘stories’

Once You Wake Up

51NTSaSA13LWhile You Were Watching the Waltons: A collection of essays and short stories by Gormla Hughes. Reviewed by Gabriel Constans.

A short book, with short writings, and short powerful sentences. A brilliant writer. When scribes, and writing teachers, say, “make very word count”, they must have read the words of Gormla Hughes. While You Were Watching the Waltons combines fiction and non-fiction as few do, and uses every space to its full potential.

Here is a brief glimpse from the essay, Pink Ink and Cyberspace, which looks at the influence of media, role expectations, and maintaining the status quo. “Having stigma attached to you folds you up in eights as citizens. An invisible tagging system. One designed to keep you in line. In line long enough for the Power Holders to acquire more bricks for their empire. But, once you wake up. Once you wake up the anger is transformative.”

The story The Rocking Chair kept me on the edge of mine. There is tension, pain, an encroaching past, and constant threat of violence. “Sitting in the rocking chair, I pour the wine. I take three gulps. I need to numb the desire to kill. Me or Her. I lean back and rock. I like the motion. It makes me feel nurtured. What I think nurtured feels like. I can only speculate.” This tale is a perfect example of the author’s use of rhythm and precision. What could be simpler, or more menacing than, “I need to numb the desire to kill.”

Other stories include The Insemination, about Elsa’s hopes of getting pregnant; Elizabeth’s reaction to her mother’s death, with painful memories of abuse, and not believing, in The Funeral; and the final essay, My Disappearance, which describes the process of loss, discrimination, and finding one’s self beyond expectation. “But I have lost everything that kept me a visible part of humanity, and with it found a freedom. I know how polite works as a tool of subservience.”

While We Were Watching the Waltons is an affront – an affront to “normalcy”. It not only helps us see the world from other perspectives, but also challenges its readers’ to question authority, support those who do, and look inside and out, to see what lies and stories we believe and tell ourselves daily. Creating characters (real and imagined), and using words that have meaning and depth, is no easy task. Not many do it justice. Ms. Hughes is an exception to that reality. She does it very well.

 

 

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Achin’ for Home

31bo-JcppuL._SX331_BO1,204,203,200_Over the Pass and Other Stories by Susan Mary Malone. Reviewed by Gabriel Constans.

You can tell from the get go that this author is a native Texan. It ebbs from her stories like a hot wind in hell blowing across east Texas. This is indeed good news, as Over the Pass and Other Stories is better than a good bowl of panhandle chili (without the side effects). The leads in these tales are tough, hard-working, home-grown people from Texas, Montana, and Kansas.

The first story (Winter’s Prey) describes the feelings of Julie, as she poses before her sculpture husband Troy. “She is naked – not under his hands but before his stare.” Descent follows Julie and Troy on a trip through Montana. Over the Pass continues glimpses into their relationship with Julie realizing. “On a backroad byway between Idaho and Montana, through the Red Rocks Wildlife Refuge, I lost the feeling. My heart got out and took a hike and we were another day down the road before I realized it was gone.”

Other stories in this collection include a rodeo cowboy (The Demon On the End of the Rope); a father and son feeding wrestlers at a yearly retreat (Red Turns to Green); and Foster and Callie, who are in a long distance relationship, reluctantly attending a wedding officiated by Pastor Brown.

Some of my favorite lines are from Cowboys Over Ladies, when old Jim tells Sara, who he’s mentored for over 20 years, “You’re a achin’ for home.” He’d nick his chest with a gnarled fist. “That place inside ya. The one you boxed away a long time ago. So you put the nostalgia on like a blanket of a mornin’ to keep out the chill.” Another is from Two Hundred Miles to Dumas, “Mom glared hard at her, all the crow’s feet tying up around her eyes and making her look more ancient than Grandma, who was older than west Texas dirt.”

Ms. Malone’s understanding, and description, of place and people is spot on – tough, beautiful, barren, and spacious. Every story stands on its own, even though the first three have the same characters. Over the Pass and Other Stories will remind you of folks you know if you grew up in that area of the world, or make you think you’re one of the family, even if you’ve never stepped foot in that part of the country. These stories will stick to you like sweat inside a Texan’s jeans.

Say It Outloud

51TNQTUdZkLThe Love That Dare Not Speak Its Name – Short Stories by Fiza Pathan. Reviewed by Gabriel Constans.

Confession time. When I saw that this collection of short stories was over 450 pages long, I planned to skim over them and write a brief overview. After reading the first one, The Love That Dare Not Speak Its Name, I was hooked and ended up reading each story from start to finish. They are all excellent, different and well written. They take place in different countries (India, Canada, United States, Iran, Syria, un-named South American country, Thailand, and the United Kingdom). What they all have in common is the portrayal of someone who is not part of the stereotyped heterosexual majority.

Each person must deal with the prejudice, religious intolerance, and/or ignorance, of their family, community, friends, culture, and/or government. Oscar Wilde quotes are also part of many of the stories, and match each perfectly. Each tale in The Love That Dare Not Speak Its Name begins with the primary characters name as the first word of the story, thus speaking there name out loud, and validating who they are.

Sreekanth declares his love for another man to his father. Stanford’s father is outraged when he finds out who his son is friends with. Mrs. Almeida has to deal with her ex-principal who is outraged when she hears that one of her children was born biologically a boy and changed to a girl. Salman secretly lives with his boyfriend and wife, fearing the ISIS leaders will discover them at any time and put them to death. Melody discovers that she doesn’t fit into the sexual stereotype she expected. Five-year-old Ken wants to be Wonder Woman, and starts to take drastic measures to make it so, much to the dismay of his parents.

Another confession. Being the parent of a daughter who married her long-time girlfriend, a son who married another man, and some long-time friends who are transgender, as well as living in the San Francisco Bay Area for over 40 years, made it difficult to accept all of the violence, hatred, and mis-understanding portrayed in these stories. The longer I read however, the more I realized how much of a bubble I’m in, and that many parts of the U.S. and other parts of the world still have intense prejudice, fear, and anger, towards people who are gay, lesbian, transgender, born intersex, pansexual, bi-sexual, transvestite, or anything that is not the “norm”.

It is sad, but vital, that The Love That Dare Not Speak Its Name was written. Giving a voice to those who cannot speak, who are shunned, dismissed, minimized, degraded, chided, threatened, misunderstood, and sometimes killed, just for being themselves, is proudly proclaimed with each tale. Though this is a work of fiction, many of the events, and reactions within this collection have, and are, taking place throughout the world. Ms. Pathan not only understands these realities, but is also able to share them with splendid prose, insight, and dramatic effect. It is one thing to aware of others lives, and another to be able to write about them so eloquently.

Each story in Ms. Pathan’s collection of shorts could be part of its own novella, but they stand on there own just as they are. The theme of acceptance, being true to oneself, and the possibility for change, is the constant between them all. As Oscar Wilde states so knowingly, On an occasion of this kind, it becomes more than a moral duty to speak one’s mind. It becomes a pleasure.

Pleasure or Pain?

LastConception-CoverDoes writing give you pleasure, or is it a pain? Are you struggling through every line, wishing it would end, or enjoying the process word by word? Do you write out of necessity, or as a hobby, or pleasant pastime? Writers’ have argued through the centuries about whether writing should be, or is, a process of hard labor, or whether it is a joyous exercise in reflecting oneself and the world in which we live.

Some writers’ say they cannot live without writing something every day. Others tells us they write in spurts, when moved to do so, or have long periods of inactivity and/or creative ideas. And a few cannot stop writing once they get started and write manically, without pause or respite.

I’ve been told that writing involves a high degree of masochistic tendencies if you are not writing solely for pleasure, but to have what you’ve written read and accepted by others. There is a lot of truth in this, as so few writers ever receive any recognition, let alone financial rewards, for there many hours of plotting, research, editing, characterization, and marketing.

From my experience, writing can be both pleasurable and painful, whether it is for personal or public consumption. Scribbling, or typing, refried storylines again and again, is easy, but artistically boring. Writing something that has never been put together in quite the same way, can take hours of painstaking thought, and pleasurable results. Then again, the results may be painful to see, and not as joyous as the process.

So, this may sound weird, but unless it is a wee bit difficult, or challenging, I do not enjoy writing. That doesn’t mean I prefer an extremely intimidating project, but one that calls me out to do my best, improve my skills, and look at an issue, or story, with fresh eyes. Writing something I’ve written a thousand times before, though perhaps monetarily rewarding, is more painful than a new challenge.

What’s your hit? What’s it like for you? Do you cringe at the thought of a deadline, having to think of an idea, or putting an idea on paper? Or, do you get excited each time the words in your head come out on the screen as you envisioned? Pleasure and pain are somewhat subjective, but are also very real. I guess the real question is whether pleasure or pain is the driving force behind your writing, or any aspect of why you write at all.

Zen Master Tova Tarantino Toshiba, The Last Conception, and Loving Annalise, are some of Gabriel’s most recent works of fiction. They were pleasurably painful to write.

Fictional Realities

41jh2yi72qlThere is a friend of mine, who worked with me as a nurse at hospice a few years back. One day, after work, I met her husband. When I asked her the next day how they’d met, she told me she’d been married to his brother. Well, I thought, that’s interesting. Tell me more. What arose from her telling was a story that sounded like a movie. She isn’t the kind of person who jokes around, so I knew she was telling the truth, though it could have been the best of fiction. That’s when I decided to make it just that – a fictional story based on real life. Loving Annalise was the result.

After years of poverty, heartbreak, loss and betrayal, Tomas enters Annalise’s world and shatters the iron casing she’s erected around her heart. Tomas is kind, intelligent, romantic and handsome, but he’s also her husband’s brother! Once Tomas and Annalise meet, they are forever intertwined and repeatedly ripped apart by fate, self-doubt and blackmail. Her husband, Jens, is a brilliant, jealous and manipulative scoundrel who keeps her psychologically under lock and key, until her passion for Tomas sets her free.

Writing Loving Annalise is the second time I’ve written a novel based on historical realities. Buddha’s Wife was the first. Though most of the people in the story existed, and some of the places, times, and words are reported to have been accurate, the majority of the conversations, interactions, and story-line were imagined. Like Loving Annalise, Buddha’s Wife is based on history, and people that were living breathing beings.

Loving Annalise, and Buddha’s Wife, are the only time I have written stories in this fashion. Normally (whatever that is), I either write straight fiction, or non-fiction, about a specific person, place, or issue, and do not attempt to combine these disparate genres. That doesn’t mean that parts of my life, and personal experiences, do not influence or become part of my writing, but not intentionally (that I am aware of).

You Will Do What I Say & Like It

TheSecretJourneyThe Secret Journey by Paul Christian
Reviewed by Gabriel Constans

There is nothing secret about The Secret Journey. It is a pornographic literary collection of women being dominated by men, and other women. IF you like hearing about, and enactments of, someone being controlled and enjoying (and learning) to be obedient, than this will be right up your alley, or other parts of your body.

Whether it is a man speaking, as the writer or teller of the tale, or a woman, it is always in first person. Environments include homes, bedrooms, baths, work spaces, school rooms, horse tracks, night clubs, trains, and other places and times. The writer claims to know the reader, and exactly what it is you want to hear, and do. Most of the scenarios are common male fantasies, and include the usual graphic scenes of sucking, licking, fucking, looking, talking, and doing what one is told to do.

There is no character development, or attachment to any of the people in these stories, but that is not the point, or purpose, of this book. The author skips any preamble, or pretext, of plot, or complexity, and zeros in on desire, wanting, giving and receiving. If that is the kind of erotica that tickles your fancy, than The Secret Journey will take you where they want you to go.

It’s a Baby!

HavingMyBabyHaving My Baby Short stories by Imari Jade, Daphne Olivier, Tori L. Ridgewood, and Joanne Rawson.
Reviewed by Gabriel Constans.

Having My Baby is fun to read whether you want a baby, have had a baby, don’t like babies, know nothing about babies, or are just curious. The book consists of four fictional stories that look at pregnancy, childbirth and parenthood in the present, past and future, and which are uniquely told in first and third person.

The Family Plan, by Imari Jade, follows the heir to a well-know clothes designer, Emily, and her unplanned pregnancy with Bekim, a man she despises. Emily has never wanted a child, let alone marriage, and Bekim is not the settling down kind of a guy. Can either of them change? The odds are forever not in there favor.

In Daphne Olivier’s futuristic Rock-a-bye-Baby, Cela and Cane win the lottery to have a perfect, modified child of whichever gender they choose. When they must decide what level of intelligence, and physical features, there son, or daughter, will have, they question there life-long desire to conceive, as well as the idea of “perfection”.

Tabitha’s Solution, by Tori L. Ridgewood, finds Tabitha and Alex desperately trying to induce labor, in order to avoid the hospital and any medical interventions. Issues many parents discuss, and must decide, before, during pregnancy, and at the time of birth, take on a personal and intimate nature, as the couple struggle with their preconceptions, beliefs, and desires.

The final story in the collection, Learner Mum, by Joanne Rawson, takes a confirmed child and baby avoider, Polly Wilkins, to her sister Wendy’s home to take care of her nephew, Josh, for two days. Polly tries to get out of it, but ends up in the thick of panic, and being overwhelmed by a person one quarter her size. Will this experience confirm her worst fears about children, or force her to see another side?

If you haven’t thought about pregnancy, childbearing, or raising children before, read Having My Baby. Though fictional, these stories ring true, in most cases. If you have already had a child, or are in the throws of doing so, you will laugh and cry with these characters, because they will be all too familiar.

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