Here, There and Everywhere

Posts tagged ‘writers’

You Can See Her Again

The Heather in May – A Tale of First Love, Second Chances and Time Travel. Written by Phillip D. Curwood. Reviewed by Gabriel Constans.

516fmQeEgPLThe plot, circumstances, and descriptions of alternating between the present (in 2017) and the past (in 1973) in The Heather in May is very well written. A man named Trevalyn Scurr takes Tony (age 63) back in time to possibly save the love of his life (Katie) from dying in a fire at The Rivvis hotel. The story is told in the third person. It is well paced, and presented, by author Phillip Curwood. Some aspects of this tale remind me of the American TV show Forever. The are also  strong parallels to The Hitchhikers Guide to the Galaxy.

As a succor for metaphors and visual interpretations of experience, the following excerpt was especially delightful. “As the spring sunshine began to fade, setting the clouds ablaze with colours of red and amber, the evening crept in, sending a whispering breeze through the yellow gorse, brown bracken, and heather. Tony took his hands from his pockets and pulled the collar ends of his faded blue denim jacket tight around his thin neck, to gain comfort and warmth in such a cold lonely place.“.

Here’s another beautiful passage, “The orange glow from the streetlights shown down on the rain-covered pavement, by the entrance to the hotel. Stepping outside, Katie and Tony bathed in the lambency, and stayed sheltered under the arch, watching the fine watery mist create pillars of light in the air.”

The author is also adept at creating a specific time and place, with music, cars, buildings, current fads, and people’s behavior and attitudes, in 1973 England. The physical characteristics of the characters is also spot on. Tony, Katie, Greg (villain), and Tony and Katie’s parents, are well defined and molded. The ending of this time travel suspense mystery comes full circle, and surprises readers’ with a brilliant setup (or new beginning), as a result of earlier circumstances, twists and turns. Mr. Curwood’s The Heather in May is a good read in May, or any other month of the year.

A Cornucopia of Value

51a7xrY5DzLPublishing Tools of the Trade Every Author Must Know by Lama Jabr.
Reviewed by Gabriel Constans

This book caught me off guard, and in a very good way. I’ve done a lot of research over the years into writing, publishing and marketing books, and thought I was aware of most of the resources available for writers. Girl, was I wrong.

Publishing Tools of the Trade Every Author Must Know is a cornucopia of valuable links to most every legitimate, helpful site that I’ve know about, plus many others that I had not heard of before. There is a brief description, and the direct link, for every website listed.

Sections range from “Editing and proofreading”, “Book promotion sites”, and “Author Interview Opportunities”, to “Blogs”, “Marketing” and “Social Networking Sites for Authors”. Every area of this resource manual is also updated regularly, so there are few links out of date.

What is most amazing, and appreciated, is that all this information is assembled in one place and provided for free. Lama Jabr has given us a unique service, without strings. Her kindness, and care, in putting this together, and offering it without charge, deserves deep gratitude.

For further information about Lama Jabr and Xana Publishing and Marketing:
http://xanapublishingandmarketing.com

Pleasure or Pain?

LastConception-CoverDoes writing give you pleasure, or is it a pain? Are you struggling through every line, wishing it would end, or enjoying the process word by word? Do you write out of necessity, or as a hobby, or pleasant pastime? Writers’ have argued through the centuries about whether writing should be, or is, a process of hard labor, or whether it is a joyous exercise in reflecting oneself and the world in which we live.

Some writers’ say they cannot live without writing something every day. Others tells us they write in spurts, when moved to do so, or have long periods of inactivity and/or creative ideas. And a few cannot stop writing once they get started and write manically, without pause or respite.

I’ve been told that writing involves a high degree of masochistic tendencies if you are not writing solely for pleasure, but to have what you’ve written read and accepted by others. There is a lot of truth in this, as so few writers ever receive any recognition, let alone financial rewards, for there many hours of plotting, research, editing, characterization, and marketing.

From my experience, writing can be both pleasurable and painful, whether it is for personal or public consumption. Scribbling, or typing, refried storylines again and again, is easy, but artistically boring. Writing something that has never been put together in quite the same way, can take hours of painstaking thought, and pleasurable results. Then again, the results may be painful to see, and not as joyous as the process.

So, this may sound weird, but unless it is a wee bit difficult, or challenging, I do not enjoy writing. That doesn’t mean I prefer an extremely intimidating project, but one that calls me out to do my best, improve my skills, and look at an issue, or story, with fresh eyes. Writing something I’ve written a thousand times before, though perhaps monetarily rewarding, is more painful than a new challenge.

What’s your hit? What’s it like for you? Do you cringe at the thought of a deadline, having to think of an idea, or putting an idea on paper? Or, do you get excited each time the words in your head come out on the screen as you envisioned? Pleasure and pain are somewhat subjective, but are also very real. I guess the real question is whether pleasure or pain is the driving force behind your writing, or any aspect of why you write at all.

Zen Master Tova Tarantino Toshiba, The Last Conception, and Loving Annalise, are some of Gabriel’s most recent works of fiction. They were pleasurably painful to write.

Fictional Realities

41jh2yi72qlThere is a friend of mine, who worked with me as a nurse at hospice a few years back. One day, after work, I met her husband. When I asked her the next day how they’d met, she told me she’d been married to his brother. Well, I thought, that’s interesting. Tell me more. What arose from her telling was a story that sounded like a movie. She isn’t the kind of person who jokes around, so I knew she was telling the truth, though it could have been the best of fiction. That’s when I decided to make it just that – a fictional story based on real life. Loving Annalise was the result.

After years of poverty, heartbreak, loss and betrayal, Tomas enters Annalise’s world and shatters the iron casing she’s erected around her heart. Tomas is kind, intelligent, romantic and handsome, but he’s also her husband’s brother! Once Tomas and Annalise meet, they are forever intertwined and repeatedly ripped apart by fate, self-doubt and blackmail. Her husband, Jens, is a brilliant, jealous and manipulative scoundrel who keeps her psychologically under lock and key, until her passion for Tomas sets her free.

Writing Loving Annalise is the second time I’ve written a novel based on historical realities. Buddha’s Wife was the first. Though most of the people in the story existed, and some of the places, times, and words are reported to have been accurate, the majority of the conversations, interactions, and story-line were imagined. Like Loving Annalise, Buddha’s Wife is based on history, and people that were living breathing beings.

Loving Annalise, and Buddha’s Wife, are the only time I have written stories in this fashion. Normally (whatever that is), I either write straight fiction, or non-fiction, about a specific person, place, or issue, and do not attempt to combine these disparate genres. That doesn’t mean that parts of my life, and personal experiences, do not influence or become part of my writing, but not intentionally (that I am aware of).

Taking Liberty With the Truth

586613838e010d433bacb209ce65ea56c69e859e-thumbFor my satirical book of koans, stories, and words of wisdom (Zen Master Tova Tarantino Toshiba: The Illustrious and Delusional Abbess of Satire), I used the same format that was used in the 1961 classic book Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings. Zen Flesh presented the sayings, teachings, and koans of real Japanese teachers, whereas Zen Master Tova takes liberty with a fictional character and the truth, to put it mildly.

From Zen Flesh, Zen Bones

Nan-in a Japanese master during the Meiji era (1868-1912), received a university professor who came to inquire about Zen.

Nan-in served tea. He poured his visitor’s cup full, and then kept on pouring.

The professor watched the overflow until he no longer could restrain himself. “It is overfull. No more will go in!”

“Like this cup,” Nan-in said, “You are full of your own opinions and speculations. How can I show you Zen unless you first empty our cup?”

From Zen Master Tova Tarantino Toshiba

“Do cats and dogs have Buddha-nature” Sister Sexton asked Master Toshiba.

“Yes.”

“Can cats and dogs attain enlightenment?”

“Yes.”

“Can all animals reach Samadhi?”

“Yes.”

“Do insects and bugs have Buddha-nature?” Sister Sexton persisted.

“Yes, they do,” The Master, patiently replied.

“Is it possible for vegetables, fruit, and flowers to see their true selves?”

“Yes, they can.”

“What about dirt, grass, trees, rocks, and water?”

“All life can become conscious of its true nature, even if it does not have a consciousness, as we know it.”

“Then surely, all women and men can awake to their Buddha-nature and find peace?”

“Yes, all women can express their Buddha-nature and attain enlightenment.” Master Tarantino paused, “As far as ‘all men’. I’ll have to think about that.”

Perhaps this use of fact and fiction are more intertwined than we like to believe, and history is permeated with realities which have been diluted, reinterpreted, and/or intentionally changed, in order to favor, or present events, or beliefs, in the manner and fashion that the writer in the moment chooses, or “believes” to be true. Read Zen Master Tova Tarantino Toshiba and do your own sniff test to see if any of it rings true, or it is a total farce.

Connect the Stories


Some writing “experts” once told me that the best way to write a novel is to first write short stories. They said, “If you can write a good short story, with a beginning, middle, and end, then a novel will easily follow. All you have to do is use the same characters in one short story after another and string them together.” Turns out that they were right, in most respects, but not always.

From my experience, it is extremely difficult to write a good short story, and more difficult to string a number of them together for a book. I’ve had some success with shorts, with some of mine appearing in Go World Travel, Listen, Los Angeles Journal, Japan Airlines/Wingspan, Omega, Enigma, and the Roswell Literary Review. As you can see from the following description of my collection of short stories, Saint Catherine’s Baby, which was released 7 years ago, I hadn’t yet figured out how to keep the same characters and storyline for a novel.

Saint-Catherines-BabyAn eclectic collection of short stories that include Ruthie and her obstinate elderly student from Germany (The English Lesson); Stephanie, who waits for the unorthodox return of her deceased father (Dressed In Black); Walter O’Brien, who discovers a young couple and their child in an abandoned monastery on the West Coast of Ireland (St. Catherine’s Baby); Shannon, on the run at a shoe store in Chicago (Sizing Up Shannon); Jacque, meeting Rosalita’s shocked parents in New Mexico (Framed); and Joshua Johnson, a school custodian whose mother may have interfered in his love life for the last time (The Sweetest Man).

It still rings true,  writing a good short story is a great beginning for a novelist, and also some of the most difficult writing to do. Character and scene development, crisis, insight, and/or conclusions, must all be created within a limited number of words. Some writers can also write great books, without ever having written a short, and vice-a-versa. To this rule, if you choose to call it that, does not apply to everyone.

Fiction That Encourage Thought

2657Books That Everyone Should Read At Least Once
Books that encourage thought.

From Goodreads

1. To Kill a Mockingbird by Harper Lee
2. 1984 by George Orwell
3. Pride and Prejudice by Jane Austen
4. Harry Potter and the Sorcerer’s Stone by J.K. Rowling
5. The Diary of a Young Girl by Anne Frank
6. Animal Farm by George Orwell
7. The Hobbit by J.R.R. Tolkien
8. The Cather in the Rye by J.D. Salinger
9. The Little Prince by Antoine de Saint-Exupery
10. The Great Gatsby by F. Scott Fitzgerald

See list of 100 and much more at Goodreads.

If it was my list, I’d have Their Eyes were Watching God by Zora Neale Hurston at the number one spot.

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