Here, There and Everywhere

Posts tagged ‘writing’

Afflicted With Vision

41GnYDgDNIL._SY346_Twisted by Uvi Poznansky
Reviewed by Gabriel Constans

Six tales told with words and pictures. The first being I Am What I Am, which follows Job’s wife after death to hell and a very interesting discussion with the devil. Other Twisted stories include a woman opening her diary for the first time since her husband’s death (The Hollow); a slab of clay speaking about her creator (sculptress) and her awareness of herself and the creator’s other work (I, Woman); a poem with “He” and “She” speaking to one another poetically (Dust); two photos of clay sculpted dancers, called The Art of Dust I and The Art of Dust II; and the final short with a cat talking to their caretaker, as if she understands what she is saying (The One Who Never Leaves).

Other than the beginning of the first story, none of these writings are really horrific, or in the horror genre, but instead exude a sense of realism, and fantasy, with inanimate objects becoming the main characters, and/or people, and pets, speaking from uncommon perspectives. The author’s writing is very accomplished and precise. Questions, dialogue, inferences, fears, hopes, and dreams, are presented with clarity, and complex situations, emotions and/or issues, are understandable. For example, these words from clay that is becoming aware of itself and surrounds, “For now that I am afflicted with vision, I appreciate how obscure things really are. The sharper the perception – the more complex the interpretation.”

Ms. Poznansky is a master storyteller, and artist, who is able to combine insight, nuance, place, and time, with abstract ideas, situations, and characters. To say her stories are “one of a kind” would be a disservice, as they are really “one of no other kind”. Twisted is unique, yet strangely approachable and identifiable, even though the context may be within a setting unknown, or not previously pictured, by the reader. I was somewhat wary of this collection, believing it might be filled with esoteric, or philosophical ramblings. Much to my surprise, and benefit, I was instead taken inside the creative mind of a brilliant author, and sculptor, of beautifully twisted views of the self, others, and the world within which we live.

 

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Is That Him?

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Two Girls in a Café – A Short Story by Lawrence G. Taylor Reviewed by Gabriel Constans

Almost immediately, it seems as if you are sitting at a table nearby listening to Ruth and Felicity talking. They see a man pass by (Sam), who doesn’t see them, and both say they went out with him, thus begins a conversation about what he is like.

Dino, the waiter, is annoyed with how long Ruth and Felicity have been at the table talking, but as a reader, you wish it would never stop. It turns out that Ruth has a completely different perception of Sam then Felicity, and they have a difficult time understanding why the other feels the way they do about him.

The author’s writing style is clear, easy to follow, and realistic. There is no fancy metaphors, dream sequences, flashbacks, or gimmicks. Two Girls in a Café is a pure and revealing story, with an unexpected turn of events at the end. I have not read Mr. Taylor’s previous books, but am definitely inclined to do so now.

From the Depths

51+ATsTqTWL._UY250_She’s Gone: Broken, Battered and Bruised
by JAnn Bowers. Reviewed by Gabriel Constans

You wouldn’t think  that poems awash in sadness, heartbreak, loneliness, and darkness, would be interesting to read, but this collection is. The poet, JAnn Bowers, has used this form of writing as a catharsis, without any filter, or concern, for sharing her deepest hurt and pain.

She’s Gone is not for the faint of heart, or someone who wants to read happy, lyrical poetry filled with flowers, love, and sweetness. Though there is nothing wrong with that poetry, this is different. Here’s her poem Such A Fool which speaks of friendship and loss with insight and clarity.

As I sit here wiping the tears from my eyes

Knowing that I have lost you as a friend

You meant the world to me

My heart breaks because I know I will miss you

But then I know it’s time to move on

To deal with this loss

And bury the hatchet

That broke us apart

As I say my goodbyes

With tears in my eyes

I will walk away with my head up high

For I know you will always be there in the back of my mind.

And in my heart

For I know you are

Fighting it to

So take care, my friend

I will always cherish you.

Ms. Bowers states in the book that she has moved on and found some solace and breaks, from episodes of depression and hopelessness, but felt that the poems in She’s Gone were needed, for her, at the time they were written. Readers can identify with times in there lives when they too may have touched the edges, or were inundated, with such feelings of despair and pain themselves.

A Cornucopia of Value

51a7xrY5DzLPublishing Tools of the Trade Every Author Must Know by Lama Jabr.
Reviewed by Gabriel Constans

This book caught me off guard, and in a very good way. I’ve done a lot of research over the years into writing, publishing and marketing books, and thought I was aware of most of the resources available for writers. Girl, was I wrong.

Publishing Tools of the Trade Every Author Must Know is a cornucopia of valuable links to most every legitimate, helpful site that I’ve know about, plus many others that I had not heard of before. There is a brief description, and the direct link, for every website listed.

Sections range from “Editing and proofreading”, “Book promotion sites”, and “Author Interview Opportunities”, to “Blogs”, “Marketing” and “Social Networking Sites for Authors”. Every area of this resource manual is also updated regularly, so there are few links out of date.

What is most amazing, and appreciated, is that all this information is assembled in one place and provided for free. Lama Jabr has given us a unique service, without strings. Her kindness, and care, in putting this together, and offering it without charge, deserves deep gratitude.

For further information about Lama Jabr and Xana Publishing and Marketing:
http://xanapublishingandmarketing.com

You Can Do Better

15085511-571384093053277-7761181997008017758-nSo, this was interesting. After a few years writing the screenplay for my story “Sorrow’s Embrace“, it was finally optioned by Breezeway Productions, and is now in development with Breezeway and Buffalo 8 Productions. I thought this was the beginning of the end for this screenwriting journey and it would soon be in distribution. Thankfully, my head got pulled out of the clouds before I floated away.

Just as directors, actors, actresses, producers, and others are lining up to get involved, the casting director, Nicole, tells me the script needs some work, and isn’t good enough to send out to “named talent”. At first, I thought, “Okay. Let me know what needs to be fixed and I’ll get it back to you in a day or two.” What needed “fixing” turned out to be much more extensive and time-consuming.

After grumbling to myself about all the work it would take, I started the rewrite using her suggestions, comments, and insight. Two weeks later, I am proud to say that this is now a story that will not only attract “name talent”, but be well worth watching, when it is released. Though I was reluctant at first, and skeptical, I am happy to admit that she was right on all accounts.

Now, it is on to rewrite my other screenplays (Buddha’s Wife, and The Last Conception), which are based on my books of the same names. I thought they were good already, now I can see how to make them much much better.

Fictional Realities

41jh2yi72qlThere is a friend of mine, who worked with me as a nurse at hospice a few years back. One day, after work, I met her husband. When I asked her the next day how they’d met, she told me she’d been married to his brother. Well, I thought, that’s interesting. Tell me more. What arose from her telling was a story that sounded like a movie. She isn’t the kind of person who jokes around, so I knew she was telling the truth, though it could have been the best of fiction. That’s when I decided to make it just that – a fictional story based on real life. Loving Annalise was the result.

After years of poverty, heartbreak, loss and betrayal, Tomas enters Annalise’s world and shatters the iron casing she’s erected around her heart. Tomas is kind, intelligent, romantic and handsome, but he’s also her husband’s brother! Once Tomas and Annalise meet, they are forever intertwined and repeatedly ripped apart by fate, self-doubt and blackmail. Her husband, Jens, is a brilliant, jealous and manipulative scoundrel who keeps her psychologically under lock and key, until her passion for Tomas sets her free.

Writing Loving Annalise is the second time I’ve written a novel based on historical realities. Buddha’s Wife was the first. Though most of the people in the story existed, and some of the places, times, and words are reported to have been accurate, the majority of the conversations, interactions, and story-line were imagined. Like Loving Annalise, Buddha’s Wife is based on history, and people that were living breathing beings.

Loving Annalise, and Buddha’s Wife, are the only time I have written stories in this fashion. Normally (whatever that is), I either write straight fiction, or non-fiction, about a specific person, place, or issue, and do not attempt to combine these disparate genres. That doesn’t mean that parts of my life, and personal experiences, do not influence or become part of my writing, but not intentionally (that I am aware of).

Taking Liberty With the Truth

586613838e010d433bacb209ce65ea56c69e859e-thumbFor my satirical book of koans, stories, and words of wisdom (Zen Master Tova Tarantino Toshiba: The Illustrious and Delusional Abbess of Satire), I used the same format that was used in the 1961 classic book Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings. Zen Flesh presented the sayings, teachings, and koans of real Japanese teachers, whereas Zen Master Tova takes liberty with a fictional character and the truth, to put it mildly.

From Zen Flesh, Zen Bones

Nan-in a Japanese master during the Meiji era (1868-1912), received a university professor who came to inquire about Zen.

Nan-in served tea. He poured his visitor’s cup full, and then kept on pouring.

The professor watched the overflow until he no longer could restrain himself. “It is overfull. No more will go in!”

“Like this cup,” Nan-in said, “You are full of your own opinions and speculations. How can I show you Zen unless you first empty our cup?”

From Zen Master Tova Tarantino Toshiba

“Do cats and dogs have Buddha-nature” Sister Sexton asked Master Toshiba.

“Yes.”

“Can cats and dogs attain enlightenment?”

“Yes.”

“Can all animals reach Samadhi?”

“Yes.”

“Do insects and bugs have Buddha-nature?” Sister Sexton persisted.

“Yes, they do,” The Master, patiently replied.

“Is it possible for vegetables, fruit, and flowers to see their true selves?”

“Yes, they can.”

“What about dirt, grass, trees, rocks, and water?”

“All life can become conscious of its true nature, even if it does not have a consciousness, as we know it.”

“Then surely, all women and men can awake to their Buddha-nature and find peace?”

“Yes, all women can express their Buddha-nature and attain enlightenment.” Master Tarantino paused, “As far as ‘all men’. I’ll have to think about that.”

Perhaps this use of fact and fiction are more intertwined than we like to believe, and history is permeated with realities which have been diluted, reinterpreted, and/or intentionally changed, in order to favor, or present events, or beliefs, in the manner and fashion that the writer in the moment chooses, or “believes” to be true. Read Zen Master Tova Tarantino Toshiba and do your own sniff test to see if any of it rings true, or it is a total farce.

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